Recent MIT grad Matt Franklin should be well on his way to a successful career at a Fortune 500 company, but instead he rebels against maturity by taking a job at a video store. Matt rethinks his position when his unrequited high-school crush, Tori, walks in and invites him to an end-of-summer party. With the help of his twin sister and his best friend, Matt hatches a plan to change the course of his life.

Paul Barral, mayor of a small mountain town at the foot of Mont-Blanc, is fighting to maintain business and protect the school from an announced closure. Not without determination, the Mayor may have found the solution.

Anna, a 38-year-old Korean adoptee with a cognitive disability, cares for her aging parents in a fragile balance of meeting each others’ needs. When a Florida heat wave shatters their family and Anna’s routine, her future is uncertain - until she creates a world where she can thrive.

Take Me is the title of a 2001 British television drama miniseries on ITV, starring Robson Green and Beth Goddard.Take Me was produced by STV Productions and Coastal. It was filmed between October and December 2000 and first broadcast in the UK on 5 August 2001. Alex Pillai was the programmes' director.

A son must overcome his own conflicted feelings and honour his father's intentions to keep his mother alive, despite her expressed wish to the contrary.

Sam's sick of living his life paycheck to paycheck, pint to pint but Milk wouldn't have it any other way and tonight's the night it all comes to a head. In this West Australian screen award winning short film loyalty is tested and lives changed forever as Sam desperately tries to escape the cycle of violence and abuse that he and Milk have called home for so long.

Jung-yeon receives a tip-off that her son who went missing six years ago is in a fishing village. Local officers get in her way, trying to cover up a secret that might be related to her case.

Three muralists (one Chicano, one Black, one American Indian) and the socially-maladjusted cousin of the Chicano muralist set off on a road trip with the intent of painting their images on the White House. Along the way they meet a mysterious Black woman. Together, these four men and one woman encounter racism, sexism, internal conflicts, and finally redemption as they discover their common humanity and their internal ability to conquer the societal ills that effect them all.

Marie-Line is juggling between odd jobs to support her agoraphobic father. Despite the precariousness of their lifestyle, she remains a lively and cheerful young woman. Yet, after a series of unfortunate events, she is fired from her job and sentenced by a judge to a small penalty. A few days later, this very judge will be in a position to help her get back on track – a chance for Marie-Line but also the beginning of an unlikely friendship.

Fragments of memories are brought to the surface by the Blue Danube Waltz, revealing the lesser-known history of the Danube – the Black Sea Canal. While borders between filmmaker and actress become blurry, languages and layers of the past intertwine. 　　„I don’t know my name. I don’t know my origins. I only have memories of a place. But I don’t know if I ever was there.” Where? Along the course of the Danube in Strauss the Younger’s famous waltz. From Germany, where the actress’ great-grandfather survived the Second World War only to later live in Eastern Berlin, to Romania, to the Danube-Black Sea Canal, where the filmmaker’s great-grandfather was part of the political prisoners subjected to hard labor by the communist regime. Starting from a beloved cliché, “The Blue Danube”, Teona Galgoțiu’s film proposes an anguishing but beautiful exercise of alienation against the great imagined common histories – including cinematic ones – championing, instead, everything that is most immediate in a human connection: touch, play, confession. (Călin Boto)